The Scoop: NBA attempts to rebrand lackluster All-Star Game
Also: Disney explains cutting trans storyline from Pixar show; the push to make Grand Marnier cool again.
The NBA will once again rebrand its All-Star Game to generate fan interest in the eyes of many sports fans.
Once must-see TV, the midseason exhibition has struggled to keep its cachet among many hoop fans. The biggest problem has been that the game just isn’t competitive.
That was the case last year when the game drew 5.4 million viewers and a 2.6 rating. That was down from the typical 7 million or so viewers who watched between 2004 and 2018.
To re-spark interest, league commissioner Adam Silver announced this season’s format is a four-team, three-game, one-night tournament. The winning team will be the first to score 40 points in each game.
Why it matters: Beyond its new format, the NBA is also changing the way it’s going to build up the game. To build excitement, the league has enlisted popular “Inside the NBA” commentators – Charles Barkley, Shaquille O’Neal and Kenny Smith – to draft this year’s team and also be part of the broader game-day experience. The league will have them make their respective picks live on TNT on Thursday, just before a doubleheader broadcast of basketball games.
It’s a good PR move by the NBA. Sports fans nearly rioted when it looked like “Inside the NBA” wouldn’t survive the league’s most recent TV deal.
Of course, this isn’t the first time the league has tried a variety of format changes to manufacture interest in the event. Those haven’t worked. Why? The game is still boring; even the players think so.
“Obviously, with the elephant in the room being us competing,” Oklahoma City Thunder guard Shai Gilgeous-Alexander, a perennial All-Star, told the Associated Press.
“Them trying to shake things up is expected and makes sense. I would love to see that,” Gilgeous-Alexander said. “Love to be a part of that for sure, and hopefully it happens.”
The NBA hopes so, too. It has a strong legacy brand to work with, hearkening back to the greatest players to ever grace the league. PR professionals need to demonstrate how the core of the game – quirky, killer gameplay from the league’s stars – will entertain and enthrall audiences if they give it another chance. That gets harder with every year the product is a dud. But now they have a new story to tell about short, competitive games that balance both offensive and defensive skills.
Will it be enough?
Editor’s Top Reads:
- Pixar has removed a transgender storyline from its animated series “Win or Lose,” set to stream on Disney+ in February. Although the character remains, the show no longer includes dialogue focused on gender identity, according to The Hollywood Reporter. “When it comes to animated content for a younger audience, we recognize that many parents would prefer to discuss certain subjects with their children on their own terms and timeline,” Walt Disney Studios, which owns Pixar, explained in a statement. Disney’s team was in a tough spot. The company has faced criticism from conservative groups for including gay characters in media, which in turn led to criticisms for LGBTQ+ groups on their responses. This move is a potential bellwether for changing cultural conversations around LGBTQ+ issues in public life, particularly transgender issues. The pendulum has swung widely in the last decade or so, from the ascendency of openly trans actors like Laverne Cox to the backlash over Bud Light’s partnership with trans influencer Dylan Mulvaney. Disney’s decision seems to indicate a broader decision to stay silent on these issues, potentially ushered in by the victory of Donald Trump as well as pressure from China, which often censors queer content from its cinemas and TV screens. Each company must forge its own path, but in many cases, so goes Disney, so goes the country.
- A new marketing push is afoot to make Grand Marnier as cool as Henny and Courvoisier in hip-hop circles, the Wall Street Journal reports. The previous tactic for promoting the orange-and-cognac liqueur leaned into its Frenchness and fancy pedigree, which left it feeling more like something your grandmother would drink than something you’d sip in the club. But a new strategy clicked when the team realized they could emphasize the fact that the drink is 51% cognac – a drink that’s especially popular with Black Americans. Now, parent company Campari is combining paid advertising in spaces that appeal to this audience and feature rap artist Future as well as hosting PR pushes including tastings and vinyl giveaways. By taking a look at what the product truly is, they’ve identified an audience who might love it – if only they knew about it. And that’s what PR is all about.
- Grammarly is acquiring AI-driven productivity startup Coda. Coda’s CEO and co-founder, Shishir Mehrotra, noted that acquisition will enable Grammarly’s AI assistant to blossom into an “AI productivity platform” by adding Coda’s tools and products, such as generative AI chat, Coda Docs (a document editor) and a productivity suite, to help business teams work more efficiently. That includes PR. The idea that AI tools are going to take on some basic tasks of a communicator’s job, this next evolution of full-suite automation presents interesting opportunities for PR pros as well by having them interact with more than just writing and editing. While there are fears about AI leading to layoffs in the name of “efficiency, ” these tools may also present opportunities for communicators to stop thinking of themselves as “doers” and more strategists focused on helping their company achieve broader business goals. As tools like Grammarly continue to evolve, the role of PR pros may continue to shift tasks like writing and content creation to editing, curating and strategizing.